Jump to navigation Jump literature dissertation search Postcolonial literature is the literature by people from formerly colonized countries.
Migrant literature and postcolonial literature show some considerable overlap. However, not all migration takes place in a colonial setting, and not all postcolonial literature deals with migration. A question of current debate is the extent to which postcolonial theory also speaks to migration literature in non-colonial settings. The significance of the prefix «post-» in «postcolonial» is a matter of contention. It is difficult to determine when colonialism begins and ends, and therefore to agree that «postcolonial» designates an era «after» colonialism has ended.
Before the term «postcolonial literature» gained currency, «commonwealth literature» was used to refer to writing in English from countries belonging to the British commonwealth. Even though the term included British literature, it was most commonly used for writing in English produced in British colonies. Postcolonial,» on the other hand, signals the persisting impact of colonization across time periods and geographical regions. Postcolonial fiction writers deal with the traditional colonial discourse, either by modifying or by subverting it, or both. The sense of identification with a nation, or nationalism, fueled anti-colonial movements in the aftermath of colonialism.
Language and literature were factors in consolidating this sense of national identity to resist the impact of colonialism. Négritude is a literary and ideological philosophy, developed by francophone African intellectuals, writers, and politicians in France during literature dissertation 1930s. Pan-Africanism was a movement among English-speaking black intellectuals who echoed the principles négritude. Pan-Africanism, was a Jamaican political leader, publisher, journalist, entrepreneur, and orator. Against advocates of literature that promoted African racial solidarity in accordance with negritude principles, Frantz Fanon argued for a national literature aimed at achieving national liberation.
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This depicts the colonised people in a more human light but risks absolving colonisers of responsibility by assuming that native inhabitants were «doomed» to their fate. In her book Imperial Eyes, Mary Louise Pratt analyzes the strategies by which European travel writing portrays Europe as a secure home space against a contrasting representation of colonized outsiders. She proposes a completely different theorization of «anti-conquest» than the ideas discussed here, one that can be traced to Edward Said. Postcolonial feminism emerged as a response to the Eurocentric focus of feminism.
Witi Ihimaera, from New Zealand, the first published Māori novelist. The Pacific Islands comprise 20,000 to 30,000 islands in the Pacific Ocean. There is a burgeoning group of young pacific writers who respond and speak to the contemporary Pasifika experience, including writers Lani Wendt Young, Courtney Sina Meredith and Selina Tusitala Marsh, among others. At the point of the first colonization, Indigenous Australians had not developed a system of writing, so the first literary accounts of aborigines come from the journals of early European explorers, which contain descriptions of first contact, both violent and friendly. The voices of Indigenous Australians are being increasingly noticed and include the playwright Jack Davis and Kevin Gilbert.
2000 for Benang and again in 2011 for That Deadman Dance. Many notable works have been written by non-indigenous Australians on aboriginal themes. The Timeless Land trilogy of novels about European settlement and exploration of Australia. Southern Rhodesia, now Zimbabwe, published her first novel The Grass is Singing in 1950, after immigrating to England. She initially wrote about her African experiences.
Things Fall Apart in the late 1950s. Achebe wrote his novels in English and defended the use of English, a «language of colonisers», in African literature. 1986 Nobel Prize in Literature, the first African to be honored in that category. Soyinka has been a strong critic of successive Nigerian governments, especially the country’s many military dictators, as well as other political tyrannies, including the Mugabe regime in Zimbabwe. Much of his writing has been concerned with «the oppressive boot and the irrelevance of the colour of the foot that wears it».
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