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The banner image above is lucia guilmain biography of george Josef von Sternberg’s Morocco.
A simple, haunting musical phrase whistled offscreen tells us that a young girl will be killed. In his harrowing masterwork M, Fritz Lang merges trenchant social commentary with chilling suspense, creating a panorama of private madness and public hysteria that to this day remains the blueprint for the psychological thriller. Selected by Béla Tarr, Bernard Eisenschitz, Jean-Michel Frodon, Jørgen Leth, Kristin Thompson. Robert Altman’s commercial breakthrough after more than 20 years of industrial films and TV work felt like a joyous shout of liberation, not just for its director but for the film industry in general.
Selected by Duncan Jones, Scott Von Doviak, Claude Lelouch, Michel Hazanavicius, Rokuro Mochizuki. George Miller’s 1981 sequel to his 1980 sleeper, Mad Max. Selected by Michael Koller, Sean Baker, Zack Snyder, Guillermo del Toro, Robert Rodriguez. Selected by Kenneth Turan, Michel Ciment, Molly Haskell, Albert Serra, Tag Gallagher. Joseph Cotten, Dolores Costello, Agnes Moorehead, Anne Baxter, Tim Holt, Ray Collins, Richard Bennett, Erskine Sanford, J. It was a much better picture than Kane—if they’d just left it as it was,» Welles famously told Peter Bogdanovich decades later. But even still, The Magnificent Ambersons is a pretty sensational movie.
The film language is more fluid and adept than Kane’s, the expressionist lighting is more rigorously modulated. Selected by James Mangold, Armond White, Carlos F. Tom Cruise, Julianne Moore, Jason Robards, Melinda Dillon, Philip Baker Hall, Philip Seymour Hoffman, William H. Magnolia is operatic in its ambition, a lucia guilmain biography of george, joyous leap into melodrama and coincidence, with ragged emotions, crimes and punishments, deathbed scenes, romantic dreams, generational turmoil and celestial intervention, all scored to insistent music. It is not a timid film. Selected by Gareth Evans, Destin Daniel Cretton, Joss Whedon, David Michôd, Xavier Dolan.
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Selected by Nelson Pereira dos Santos, Cristina Nord, Henry Bean, Werner Herzog, Chris Kennedy. Victor Moore and Beulah Bondi headline a cast of incomparable character actors, starring as an elderly couple who must move in with their grown children after the bank takes their home, yet end up separated and subject to their offspring’s selfish whims. Selected by Dave Kehr, Isaac León Frías, Pierre Rissient, Errol Morris, Filipe Furtado. Denzel Washington, Angela Bassett, Albert Hall, Al Freeman Jr. Selected by Ryan Coogler, Carrie Rickey, Ernest R. What makes it a prototype film noir is the vein of unease missing from the two earlier versions of Hammett’s novel.
Filmed almost entirely in interiors, it presents a claustrophobic world animated by betrayal, perversion and pain. Selected by Geoff Dyer, Jørgen Leth, Klaus Kreimeier, Manthia Diawara, Charles Burnett. Anna Magnani is Mamma Roma, a middle-aged prostitute who attempts to extricate herself from her sordid past for the sake of her son. Filmed in the great tradition of Italian neorealism, Mamma Roma offers an unflinching look at the struggle for survival in postwar Italy, and highlights director Pier Paolo Pasolini’s lifelong fascination with the marginalized and dispossessed. Selected by Berenice Reynaud, Pere Portabella, Ventura Pons, Chantal Akerman, Feras Fayyad.
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